Wednesday, September 16, 2009
Assassins et voleurs (1957)
10 years ago, Philippe falls in love with beautiful a woman whom he saves from drowning at sea. They separate, but he doesn't know her name, where she is staying, or the colour of her hair. He searches at every hotel and bar in Deauville, but finally finds that she is his old friend's wife, Madeleine. Her husband, Jean, terrorizes everyone, so Madeleine is happy with Philippe, who always finds new ideas. Jean finally finds out about the affair and he pretends to go out the night when Madeline is waiting for Philippe to come. In the same time, Albert the thief breaks into Jean's house. When Jean storms in and confronts Madeleine, Philippe hides, and Albert comes to help Madeleine. Too late, Madeline is dead by Jean and Jean is shot by Philippe, who then puts his pistol into Albert's pocket and jumps out of the window. The police comes and Albert is jailed for murder.
The trial scene is ridiculous. The wrong witness is brought to the court and his dialogues are very long. The judge should have stopped him much sooner. I love it, though, how this witness points to the court how the wooden fence (where witness is called to stand. I don't know what it's called.) should be fixed.
After jumping out of window, Philippe gets into his car and hits a tree. He is in comma in hospital and later is sent to a mental hospital, where he meets interesting people, including a kleptomaniac Russian countess. From the newspaper, Philippe learns about the poor Albert and decides to take his place as a thief. He cooperates with the countess. First they steals a diamond, but after realizing that the countess steals his part, he works alone.
From this part, the movie shows the art of deceiving, and the most interesting one for me is when Philippe steals the Corot painting.
Back to the present. Philippe learns from today's newspaper that Albert has been released from jail and guesses that the thief's first step is to find the man who framed him 10 years ago. He feels so distressed that he wants to commit suicide. By this point, Albert tells Philippe who he really is. The ending scene is a shock, which shows that Phillipe is really the top of his class.
This movie is very good and I hope TV5 will show more works of Sacha Guitry. His other work I have seen is only La poison.
Friday, September 11, 2009
3 hommes à abattre (1980)
With exciting car chase and violence (which I think unnecessary, like when Gerfaut shoots the blond man and the last scene), no wonder that this movie attracted many viewers when it was released. I read that the successful of this is equal to Borsalino and Le cercle rouge. The dialogues are often filled with humour. "Have you noticed? My breasts are smaller in the morning," says Béa.
I like the scene in Gerfaut's apartment when the concierge comes to tell him that 2 men were looking for him last Friday. She carries a letter in her hand, but it is not for Gerfaut, but for someone who lives on the upper floor. It's quite funny and I've never seen this in any other movie before. In a movie, when someone knocks on your door bringing a mail, usually it's for you. We often forget that there is other people in the apartment building and the concierge doesn't serve the main character in the scene alone.
The music by Claude Bolling is beautiful. I did not expect something like that in an action movie.
Wednesday, September 9, 2009
D'aulaire's Book of Greek Myths
Nous irons tous au paradis (1977)
Étienne and his best friends Daniel, Simon, and Bouly buys a house near the airport. I wonder which road they take to go to the house, since they didn't see the big airport. One of the results of this folly: they have to play tennis wearing headphones.
In a party, Simon meets someone whose same fate as his: bullied by his own mother. I hope this fact makes Simon happy for a while. It turns out he loves his mother more than he has thought, for when she dies he cried helplessly. Bouly re-married, to unsatisfactory ending. Daniel successfully has a normal relationship, but she cancels the wedding on the D-day. The ending at the airport is good, with poor Simon is forced to fly to Bordeaux with Étienne's suitcase.
Compared to Un éléphant ça trompe énormément, this one is not as funny. I love the Adam cartoon, though.
Monday, September 7, 2009
World Without End
Wednesday, September 2, 2009
Un éléphant ça trompe énormément (1976)
Tuesday, September 1, 2009
Une histoire d'amour (1951)
Inspector Plonche (Louis Jouvet) is given a task to investigate the death of two young lovers, presumably suicide. Two police find the bodies in the beginning of a movie, in a deserted coach, in a deserted place. Plonche's superior eagers to close the case asap, but Plonche wants to find why the young couple chose to die, and he does a thorough investigation.
The inspector first investigates the young man's father, Auguste Bompart, a sculptor who lives with a vulgar woman; and after that the girl's parents, the Mareuils, who own the metal factory
in the city. Plonche will slowly learn the story of the ill-fated lovers, from their first meeting during Catherine Mareuil's birthday party, the disapproval of their love by Catherine's parents - because Jean is only a trainee accountant in Mareuil's factory and Auguste is their ex-employee, sacked because of a theft - although later we will know that this is not true. In the end, Plonche will show the parents that their children are forced to take the cyanide because they don't want their happiness torn away from them. The tragic thing is, they don't need to die, but the appearance of two police doing a routine becomes a nightmare for them, after what they have been through. "No law prohibits idiot parents to have children." says the inspector. In this movie, it sounds sad.
My favourite moment is the Catherine's party, where high-class people gather together and make "funny" comments. When Catherine dances with Jean all the time, they say that he has no manner and wonder what sort of education she has got, while for her he is "Jean" and for him she is "Catherine" - no need for the surnames, which remind them that she is his boss's daughter and he is her father's employee. There is an old woman who comments that the young, beautiful Catherine looks older and has bags under her eyes.